This past weekend, my new Russian artist friend and I checked out the opening for Chinese artist, Zhang Huan in Culver City.
The show featured numerous sculptures made of old bricks. The featured piece, Pagoda, standing at 22-ft, had many guessing how on earth did they install this massive sculpture in that room. In the center was a stuffed pig.
According to the gallery notes (copy+paste):
Pagoda serves partly as a tribute to Zhu Gangqiang, or the “Cast-Iron Pig”, now famous for having survived 49 days in rubble, following China’s historic 2008 Sichuan earthquake. Upon hearing its story of survival, Zhang negotiated the pig’s purchase and has subsequently adopted him into his studio, employing a full-time caretaker and making his likeness a central part of his artistic practice. The number “49” (from which the show takes its title) is dually significant, both for its relationship to Zhu Gangqiang’s story and for its connection to Buddhist thought, as the Buddhists believe 49 days is the amount of time ones soul remains on earth between death and reincarnation
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